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A Review of Madam Ti Zo:
Haiti’s Medicine Woman by Kim Ives (Haïti Progrès/Brooklyn,NY ) Madam Ti Zo is a warm and touching documentary about a century-old midwife in the spiny mountains above Jacmel, Haiti, who delivers, not just babies, but comfort and hope to her peasant neighbors. She never had any trouble having babies herself, Madam Ti Zo explains over the extended opening sequence in which she delivers a baby girl in her dirt-floored rural clinic. She gave birth to some of her own 12 children while working in the fields. She would put the newborn in a basket and then “cut the umbilical cord when I got back home.” She went on to be trained by doctors in a rural hospital and then began tending to peasants in Carrefour Penguin, on the Jacmel River, as midwife and “doktè fey” (herbal doctor) in 1957. In 2003, her methods are not much different than when she began. She uses a two-sided Gillette razor, dipped in an alcohol-filled jar-top, to trim umbilical cords. With minimal narration and no music, Belle has crafted a tender portrait of this remarkable woman. Avoiding the usual pitfalls of exoticism, the film presents the harsh realities of peasant life with a matter-of-fact air, in part because Belle himself lives in the Haitian countryside outside Jacmel. Madam Ti Zo, born Madeleine Desrosiers, treats her patients with a gruff humor which delighted the audience at the American Museum of Natural History’s Margaret Mead Film Festival in Manhattan, where the film made its North American premiere in November. After laboriously kneading a young mother’s belly to realign the low-riding child inside her, Madam Ti Zo told her the cost of the visit: 15 gourdes or about 40 cents. The mother didn’t have that much. “Well, maybe on the next visit,” Madam Ti Zo says. Life doesn’t get much tougher than Madam Ti Zo’s. Her husband left her years ago and only four of her children are still alive. Her clinic, like the film, is populated almost exclusively by women. “I don’t deal with men,” she only half-jokingly responded to one question after the showing in New York, where she was visiting for the first time. Madam Ti Zo sends patients she can’t treat to the local hospital but is confident about the superiority of her hands-on treatments and herbal remedies. “Aspirin comes from sweet meadow,” she knowledgeably explains, “and chloroquin from lilac.” To do her job, she explains toward the film’s end, “you must be patient and loving.” These qualities, to the director’s credit, emanate from the film, which is dedicated to his recently departed mother, filmmaker Anne Belle. Madam Ti Zo’s tenacity and wit, not to mention longevity, in the face of overwhelming hardship are inspirational, and Belle’s portrait is filled with reverence. But the film ends with a mild alarm. “I don’t have anyone who can continue this,” Madam Ti Zo laments. She hopes to pass on her wisdom to her 9-year-old great granddaughter, who we see helping at the clinic in the film’s final sequence. Madam Ti Zo, directed by David Belle, produced by Crowing Rooster Arts, 2004, Brooklyn: November 24, 2004 (Haïti Progrès/Brooklyn,NY) The New York Haitian community and its U.S. supporters will rally at 5 p.m. on December 5 at the Klitgord Center Auditorium of the New York College of Technology at 285 Jay Street in Brooklyn to condemn the continuing wave of government repression in Haiti and to call for a return to constitutional government and an end to the United Nations military occupation of the country. Tickets, flyers and more information can be obtained from the A.N.S.W.E.R. Coalition at (212) 533-0417, the Fanmi Lavalas at (203) 847-5487 or (917) 337-6702, Haïti Progrès newspaper (718) 434-8100, or IAC at (212) 633-6646. |
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